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Botsotso

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Archive for the ‘Fiction’ Category

Decolonisation and Literary Festivals

There are Two Birds at My WindowBotsotsoBy Allan Kolski Horwitz

I read Phillippa Yaa de Villiers’ piece on this subject with more than passing interest as the work of Botsotso, the poetry and art collective in which I am involved, has dealt with these matters for over 20 years in the fields of literature, performance and publishing. Moreover, I was present at the symposium (if that is the right term) that took place at Wits where the key protagonists of the “boycott the Franschhoek Literary Festival” movement presented their viewpoints. In addition, Phillippa mentioned my contribution to the debate that evening but in such a way as to give a distorted view of what I actually said.

And what did I say?

Firstly, that any writer and activist has to choose the terrain in which you are going to participate and get involved – that is, if you really want to have an impact and get your “message” and sensibility across. The Franschhoek valley constitutes the landholding of a very wealthy elite of multi-millionaires (many of whom are non-South Africans) whose exploitation of black agricultural workers is notorious: the wage scale after a bitter strike two years ago is only R105 per day. The audience at this festival is almost entirely made up of middle to upper-middle class (white) people (and then largely female) who are part and parcel of this extremely reactionary lifestyle and value system. For writers with a political/social consciousness to expect such an audience to be in tune with their vision of a South Africa that prohibits such exploitation is quite frankly laughable. As such, I have no sympathy for any writer, black or white, who goes off to entertain this audience – because that is all you will be doing; this audience has no capacity to internalize and use your participation in any meaningful way because objectively it stands in complete opposition to a truly democratic, egalitarian and Africa-rooted consciousness.

Secondly, the process of decolonisation has two aspects; the first is the wresting of political and military power from the colonial ruling class by the indigenous peoples. The second is the creation of a society that actively reverses the structures and mindset of colonial divide-and-rule, economic exploitation and cultural imperialism (in this instance, Eurocentric hegemony that denigrates and sidelines indigenous culture and knowledge).

Now we know that in the “old” South Africa the divide was marked by a particularly racist white regime that ruled southern Africa in relatively large numbers for 300 years – that is, for a much longer period of time than in any other part of Africa – and that the European settler groups became more entrenched and bound to the “soil of Africa” than Europeans anywhere else on the continent. Moreover, the political settlement of 1994 recognised that the New South Africa should find a place for all people irrespective of colour, ethnicity etc. As such, the fight against white European racism has to continue with determination and vigour but the right of the descendants of white settlers to find a place in a non-racial society is not the issue. Indeed, if it is an issue then two things flow from such a change in policy: are whites to be driven out of the country (a form of ethnic cleansing)? Or are they to be placed in a whites-only statelet (a Whitestan a la Orania)? In other words, to boycott a festival simply because the audience is largely white is, in substantive terms, superficial and racist and contrary to the vision of an open, dynamic and pluralistic society.

As we all know, the first leg in the decolonisation process (viz. the wresting of political power) took place 20 years ago. The liberation movement that enjoys overwhelming majority support is the ANC/SACP alliance. This Alliance (together with the largest trade union federation, COSATU) has ruled the country uninterruptedly since 1994. But what have been the concrete results in terms of the decolonisation project? Do we have a Bill of Rights that protects and advances human freedom and diversity? Yes, we do. Do we have the Rule of Law? We do and we don’t because increasingly the ruling elite (particularly on the political side but also the economic) filibusters and obstructs legal outcomes. Do we have a more egalitarian society? We most certainly do not – in fact, income disparity has grown despite the emergence of a new black middle class that, even in terms of convinced black capitalists like Moeketsi Mbeki, is parasitic and loots state resources with impunity (with our current president being at the head of these “untouchables”). Do we have a move away from the old Afrikaner bureaucratic state structures? In some ways yes but overall, no. Government is by and large removed and unresponsive to people’s needs on the ground – why else do we have more “service delivery” protests than any other country in the world? How could we have had a massacre of workers as took place at Marikana? Do we have a society that places full employment as a key priority? No, we don’t. We have casualisation, out-sourcing and a social security network that encourages a handout mentality. Have we smashed the monopoly capitalists in the key economic sectors? No, we have not – they continue to rig tenders and prices, smuggle massive amounts offshore and generally reduce formal sector employment while the stock market reaches new heights. In short, the performance of the “new state” is very, very shaky – an education crisis second to none (at all levels curricula need changing, teachers need to show more dedication, more black academics need to be brought in etc); loadshedding and medicine stock shortages being other gross examples of malfunctioning. In short, to reverse a culture of cronyism, tender-rigging, inflated salaries for the elites and tremendous wastage of resources, a new movement for radical change is required.

How does this affect literary and cultural life?

Practitioners (of all art forms) and cultural activists need to recommit to this struggle for structural and ideological transformation in all sectors of our society, including that of the platforms for artistic production. As such, instead of trying to reform the Franschhoek Literary Festival and its ilk we should be establishing new festivals that can genuinely reach and satisfy a multi-class audience and readership. We should be ensuring that the public and school library systems are stocking new South African books (of all genres) and organising readings and talks by writers and poets. The DAC should be playing a key role in all of this including setting up a new independent Writers Union (there has been a giant vacuum since the collapse of COSAW 20 years ago in very controversial circumstances) and the setting up of a non-profit, independent publishing house to encourage a new post-colonial literature. And to reach a mass audience, the SABC should finally fulfill its role as a public broadcaster and promote the arts by filming and broadcasting plays, spoken word poetry and local feature films and sticking to local content quotas with regard to music. But is this happening? So there is an enormous amount to be done and mainly focusing on privileged white audiences at an elitist festival is really quite wasteful of time and energy.

On a lighter note: the sight of moderator, Eusebius McKaiser, suiping away during the course of the meeting and having a white woman, Bridget Impey from Jacana, dutifully refill his wineglass while he allowed us only to drink in his wise words (to be fair he did express his hope that we, too, as the audience, would find some wine for ourselves outside at the conclusion of the proceedings), was highly amusing but somehow symptomatic of the general level of debate.

And lastly: Why am I ending on a slightly bitchy (!) note? Because as a satirist one naturally can’t resist such temptations but more importantly, we have to all guard against over-moralising and sanctimonious posturing. And anger, while perfectly justified and often highly necessary to galvanise action, can also blind us through excessive emotionalism so that we misdirect energy.

And very lastly: I view everyone on the panel as a potential ally in the struggle against false consciousness and superficial literary production. Let’s just get serious and address the core issues that keep us a semi-literate, barely-reading society – and that goes for ALL South Africans – irrespective of class and colour.

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Botsotso Poets at Folio Books This Friday

Aryan Kaganof - Lost for WordsKelwyn Sole and Abu SolomonsMark Espin & Andrew MatthewsLiesl Jobson

Folio Books invites you to a poetry reading by Botsotso authors. The following poets will be reading selected pieces from their works:

Donald Parenzee
Aryan Kaganof
Andre Marais
Abu Solomon
Liesl Jobson
Mark Espin

Event Details

  • Date: Friday, 17th September
  • Time: 6:00 for 6:30pm
  • Venue: FOLIO BOOKS
    207 Main Rd, Newlands
    Cape Town | Map
  • RSVP: FolioBooks@storm.co.za, 021 685 7190

100 PapersBotsotsoUselessly

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Botsotso goes to the Witness Hilton Arts Festival

Botsotso 15100 Papers by Liesl JobsonOut of the Wreckage by Allan Kolski HorwitzFollowing the successful launch of Botsotso 15 at the Jozi Spoken Word Festival, Botsotso Publishing will be making two appearances at The Witness Hilton Arts Festival in Hilton, KwaZulu Natal next weekend.

On Saturday, KwaZulu-Natal poets Kobus Moolman, Mphutlane Bofelo, Brett Beiles and Sarah Frost will read live, followed by an open mic session.

On Sunday, a panel discussion with writers Allan Kolski Horwitz, Liesl Jobson, and Peter Rule will answer the questions: Is the short story a dying art? Or is the form about to have its day?
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Jozi Spoken Word Festival 2008 – 13 to 16 August

BotsotsoGoethe

Botsotso Publishing, the Goethe-Institut, Exclusive Books, Sounds of Edutainment and the Wits Writing Centre present the much-anticipated Jozi Spoken WordFest 2008 at Wits University in Braamfontein this week.
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Notes from Jobson and Horwitz “Short” Launch in Johannesburg

Liesl Jobson & Allan Kolski Horwitz“New trends in the South African short story” was the topic for a panel discussion that saw a lively exchange between Harry Kalmer, Veronique Tadjo, myself and Liesl Jobson at the Wits Writing Centre last week. The discussion was attended by writing students, family and friends, and preceded the launch of Out of the Wreckage and 100 Papers. The books explore the short-short story – that phenomenon known variously as flash fiction, microfiction, vignette or postcard stories.
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Johannesburg Book Launch for Botsotso Titles

100 PapersOut of the WreckageContemporary short fiction in South Africa and Africa is pushing the boundaries of style, form and content. Two new titles from Botsotso Publishing take the genre in a new direction. 100 Papers by Liesl Jobson and Out of the Wreckage by Allan Kolski Horwitz explore the experimental forms of the prose poem and short-short story, flash fiction and parable.

Please join these authors for a panel discussion on the topic with Stephen Gray, Veronique Tadjo and Harry Kalmer, held under the auspices of the Wits Writing Centre.

The panel discussion will be followed by the Johannesburg launch of these books. Drinks and snacks will be served but seating is limited.
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Mobilising Short Story Fans at the CTBF

Liesl Jobson, Arja Salafranca, Jane Bennett & Allan Kolski HorwitzSpecial report for Botsotso by Maire Fisher.

In a publishing market dominated by novels it was great to attend a launch celebrating the publication of not one, but two anthologies of short stories at the Isis X Exhibition Space at the Cape Town Book Fair. 100 Papers, a collection of flash fiction by Liesl Jobson, and Out of the Wreckage, a series of ‘dream parables’ by Alan Kolski Horwitz are new publications from Botsotso Publishing.

The launch was preceded by ‘Keeping it short’, a panel discussion in which Jobson and Kolski Horwitz were joined by Arja Salafranca, Jane Bennett, Motjidibane Bapela and Dave Chislett.
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Book Launch: Out of the Wreckage and 100 Papers

100 Papers by Liesl JobsonOut of the Wreckage by Allan Kolski HorwitzBotsotso Publishing is pleased to announce the launch of two new titles at the Cape Town Book Fair. 100 Papers by Liesl Jobson and Out of the Wreckage by Allan Kolski Horwitz push the boundaries of the prose poem and the short story, bending the genres of flash fiction and dream parable.

Please join us for a discussion on short fiction as part of the launch. Jane Bennett, author of Porcupine (Kwela), Motjidibane Bapela, poet and short-story writer, Arja Salafranca, poet, short-story writer and journalist, Liesl Jobson and Allan Kolski Horwitz will chat about “Keeping it Short”, the South African short story.
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New Publication: Botsotso 14

Botsotso 14, a new journal of poetry, fiction, graphics, essays and reviews containing the work of over 50 writers and artists, with special focus on the Art for Humanity “Woman and Child” project which featured 15 pairs of women poets and artists.

Copies are available direct from the publisher.

Please contact botsotso@artslink.co.za for ordering information.


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Visit Botsotso Home for *new poetry*

Visit the Botsotso home page for new poetry by Thuto Mako, Vonani Bila, Martin Jacklin, Jodi-Anne Williams, Stanley Kenani and Abotseng Lekalake


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